Month: March 2021

NASCAR launches largest brand campaign ever

first_imgDAYTONA BEACH, Fla. (Feb. 19, 2013) – Big brands break new commercials at DAYTONA 500®, and NASCAR is no exception. NASCAR will reveal a brand new creative vision – a campaign featuring more than two dozen drivers, with nine original spots in both English and Spanish. The drama-filled campaign will premier during NASCAR’s crown-jewel event, the Daytona 500. The race will broadcast live on FOX and FOX Deportes on Feb. 24 beginning at 1 pm ET.At the heart of the campaign are NASCAR drivers, who help bring to life the unpredictability and drama of NASCAR racing, both on and off the track. With an unprecedented incorporation of drivers, number of creative treatments featuring new digital engagement, radio and print, this is by far the most comprehensive and integrated campaign NASCAR has ever launched.  “The campaign was created to excite existing fans while engaging with new audiences, and is representative of where NASCAR is headed as a sport” said Kim Brink, NASCAR, vice president, marketing.  “In developing the spots, we wanted to celebrate the heart of what makes our sport unique, challenge existing perceptions, inspire the entire industry and do it all as authentically and confidently as possible.”The spots are:·We Are (English and Spanish) – Highlights the pageantry, power, magnitude and scale of community that fans can only experience through NASCAR.·Twist (English and Spanish) – Portrays the emotion, drama, and many levels of duality within the sport in truly unexpected fashion.·Rivals (English and Spanish) – Spotlights actual on-track rivalries among drivers, including that of two legendary NASCAR heroes.·Chess (English and Spanish) – Gets inside the mind of a driver during a race, coolly breaking down the strategic thought process of drivers while they compete on the track.·Resumé (English) – Uses a light-hearted tone to highlight the personalities of the drivers as they vie for a spot on fans’ NASCAR Fantasy Live rosters.·Wanna Know (English) – Offers fans an unmatched look at the sport through the eyes of the drivers in order to promote NASCAR’s newly revamped and its suite of digital fan engagement products.NASCAR’s new brand campaign was developed by Ogilvy & Mather’s New York office, inclusive of Ogilvy Rojo the Hispanic arm of the agency which was awarded the business after an extensive pitch process in summer 2012.“There’s no sport in the world with a more loyal and passionate fan base than NASCAR. Drivers are what make NASCAR racing so dramatic and unpredictable for everyone.” explained John Seifert, Chairman and CEO of Ogilvy & Mather North America. “To bring the NASCAR experience to life, we helped create a brand platform that reflects the roots and character of what makes NASCAR unique, personified by remarkable athletes who will ensure that this sport remains the greatest show on earth.”In addition to the brand campaign, NASCAR will continue to focus on seven planks strategically aimed at growing the sport: Gen Y, Youth, Multicultural, Digital/Social Media, Event Experience, Product Relevance and a focus on Driver Star Power. Already this year, the industry is experiencing many firsts across all of these platforms, including the reacquisition of its digital rights, the unveiling of the new Gen-6 race cars that will reignite rivalries on the race track and in showrooms nationwide, and the first-ever live Spanish-language broadcast of NASCAR Sprint Cup Series races.Don’t forget to tune-in to the Daytona 500 (Feb. 24, 1 p.m. ET). The race will air on FOX, FOX Deportes, Motor Racing Network Radio and Sirius XM Radio with additional coverage on NASCAR.COM. Breaks new creative in the Daytona 500 “There’s no sport in the world with a more loyal and passionate fan base than NASCAR. Drivers are what make NASCAR racing so dramatic… for everyone.”—John Seifert, chairman and CEO of Ogilvy & Mather North Americalast_img read more

Umphrey’s McGee Jams With TAUK Members For Talking Heads Cover In Portland Closer

first_imgUmphrey’s McGee returned to the Crystal Ballroom in Portland, OR last night, playing the second showing of a major two-night run at the storied Northwestern venue. Umphrey’s came to rock, and with a sweet opening set from TAUK, the UMphreaks got down to business.The show opened with a “Nipple Trix > 40’s Theme” to keep everyone in the groove, and featured some great work on tracks like “Higgins” and a “Loose Ends > Space Funk Booty” combination. “Bad Friday” fit right into the first set, and the new song “Gone For Good” kept things rocking along. The band then busted out a cover of Pink Floyd’s “Fearless,” played for the first time since 2014, and wrapped up the set with “Hurt Bird Bath.”Set two began with some “Puppet String” action, a song that wouldn’t be concluded until the final bars of the show. From “Puppet String,” the group jammed into “Hajimemashite” and wound into a “Bridgeless > Similar Skin” combination. Certainly one of the highlights of the show came in this second set, after “Cemetery Walk 2,” when TAUK’s keyboardist A.C. Carter and drummer Isaac Teel came out on stage for a cover of Talking Heads’ “Making Flippy Floppy.” What a jam!The set concluded with “Ringo > Bridgeless,” and “Day Nurse > Puppet String” closed out the encore of this wild Sunday show! Check out the full setlist below, courtesy of UM’s Twitter:Setlist: Umphrey’s McGee at the Crystal Ballroom, Portland, OR – 3/13/16Set One: Nipple Trix > 40’s Theme, Higgins, Loose Ends > Space Funk Booty, Bad Friday, Gone For Good, Fearless, Hurt Bird BathSet Two: Puppet String > Hajimemashite, Bridgeless > Similar Skin, Cemetery Walk 2, Making Flippy Floppy*, Ringo > BridgelessEncore: Day Nurse > Puppet String* = w/ A.C. Carter and Isaac Teel of TAUKlast_img read more

Phish Debuted Two New Songs Over The Weekend [Watch]

first_imgWith Phish’s summer tour now underway, fans continue to expect the unexpected at each show. The band has given their loyal followers a bounty of surprises, between a cappella David Bowie covers, bust out Beatles covers, and, of course, new music. After working on a new album for the first half of the year, it’s no surprise that the band has been steadily sharing a stream of new songs.After a bust-out heavy opener in Minnesota, Phish settled into Wrigley Field for a two-night run to remember. The band took the opportunity to share a brand new track, titled “Miss You,” during the first set of the first show. The slower ballad was a nice emotional moment, sandwiched between “Sand” and “The Wedge.”Listen to “Miss You” below, via YouTube user Tom Rowles.The next debut came at the Klipsch Music Center last Sunday, June 26th, when the band again took a moment out of the first set to share a new song. Titled “Breath and Burning,” the slower funky jam was a treat after a fun “Lawn Boy,” and got fans excited to hear what more could come.Listen to “Breath and Burning” below, via YouTube user shinepigeon 2.0.Phish’s summer tour continues tonight, June 28th, with two nights at the Mann Center in Philadelphia, PA. Who knows what new material they’ll bust out there?For those who are coming out to Phish’s three night run at Saratoga Performing Arts Center this weekend, don’t miss some great after party action at the nearby venue, Putnam Den. The room will be hosting The Heavy Pets’ 80’s Dance Party on night one, Pink Talking Fish on night two, and a unique Frank Zappa tribute with members of Zappa’s band, Dopapod, RAQ, Digital Tape Machine and more! You can get all the information you need about those shows, as well as a contest to win tickets, right here.last_img read more

Turkuaz & The New Mastersounds Teaming Up For Funky Chicago Throwdown

first_imgThe second best thing to happen to Chicago this month — behind the Cubs winning the World Series, of course — just might be two of the funkiest bands out there right now hitting Park West on 11/25. When it comes to modern funky music, not many are doing it better than Turkuaz and The New Mastersounds. Each band has been road-tested and fan-approved, bringing their big dance party sounds to fans across the country. When these groups share the stage, the energy is seriously through the roof. Get tickets to Turkuaz & the New Mastersounds at Park West here.Turkuaz & New Mastersounds Team Up For A Funky Colorado Throwdown [Review]The pairing between these two bands started last summer, when the bands got together after High Sierra Music Festival for a meeting of the minds at Sharkbite Studios in Oakland, CA. The resulting session saw each band cover a track from the other’s catalog, with their collaborative help, of course. The two tracks they laid down – Turkuaz’s rendition of NMS’s “On The Border” and New Mastersounds’ rendition of  Turkuaz’s “The Rules” – were recently released as the Split 7″ EP.Each show of their tour turns the energy up the max, as Turkuaz’s funk army style is matched by the chilled out funky grooves of The New Mastersounds. Expect exciting collaborations and non-stop dancing when these two bands come to town!The New Mastersounds & Turkuaz Share The Stage With Kofi Burbridge In Funky Florida Throwdown [Videos/Audio]Get tickets to Turkuaz and the New Mastersounds at Park West Chicago on 11/25 here, or enter to win them below.last_img read more

Watch Everyone Orchestra Live Jam The Election Results With “Soundtrack To History”

first_imgElection Day has now come and is almost (finally) gone. Awaiting the results of the future of America takes a certain kind of patience, one that requires absolute understanding of the present moment. It’s a tough time, but music heals. Right?Right now, Brooklyn Bowl is hosting a very special “Soundtrack to History” performance by the Everyone Orchestra, featuring a who’s who of jam icons that will be musically interpreting the election results in real time. The results and the mood of the crowd will be used as a muse for improvisation that is unlike any show that has come before it. To make things easy for everyone, the event is also being streamed for free via at 8pm.Matt Butler will of course conduct the band, with Steve Kimock, Marc Brownstein and Aron Magner of The Disco Biscuits, Vinnie Amico of moe., Jay Jennings and Chris Bullock of Snarky Puppy, Jeremy Salken of Big Gigantic, Natalie Cressman of Trey Anastasio Band, former The Motet frontman Jans Ingber, Marco Benevento and Mihali Savoulidis of Twiddle on the impressive bill. Several unannounced special guests are also slated to make an appearance as well.Sounds like an amazing way to spend election night! Stream the concert for free in the video below:This event is presented by Magic Hat Brewing Company in conjunction with HeadCount. May the best (wo)man win.last_img read more

Benny Bloom & Tom Hamilton Get Us Excited For Fool’s Paradise On New Podcast Episode

first_imgOur Inside Out WTNS podcast series returns with its third “Tweener” episode, which focuses on the rapidly approaching Fool’s Paradise extravaganza. This episode includes interviews with festival promoter Paul Levine, as well as performers Eric “Benny” Bloom of Lettuce and Tom Hamilton of Joe Russo’s Almost Dead.Levine discusses how the seeds of the festival’s location were planted when an Umphrey’s McGee festival (which also featured Lettuce) was moved from a civil war fort to the idyllic St. Augustine Amphitheatre in St. Augustine, FL two years ago. He talks about his career as a promoter, about working with Lettuce to curate the festival (“we’ve always enjoyed working together… doing things to promote and advance funk music”), and about an excursion which this year will be offered to Fool’s Paradise attendees (“you can go on a boat for a couple hours and have wine and beer with some of the guys from Lettuce”).Then a portion of Seth Weiner and Rob Turner’s interview with Eric “Benny” Bloom of Lettuce (originally broadcast live on Cloud Nine’s Facebook page) from last fall’s Lockn’ Festival enters the episode. Bloom talks about meeting, then playing with Lettuce for the first time, “I remember going to the gig….and they are walking out of an elevator…and I say, ‘what’s up Ryan [Zoidis, Lettuce sax ace] hey, what are we playing?’ and he was like, ‘I dunno, gimme a sec,’ and then they all just left, and no setlist.” Bloom talks about how he would quickly become a key part of the band and assume the trumpet role full-time, and about why he particularly enjoys playing for the funk/jam band world, saying, “a lot of these fans in this scene… are musicians… that’s why it’s really great to play for these particular kind of fans.” The key role Boston’s Berklee College of Music played with regard to Lettuce’s formation, and to his own personal development, is examined – and he tells of how he bonded with Lettuce members over the fact that, like him, they had at one time run the house band at Boston’s uber-legendary Wally’s Cafe.The dynamic Tom Hamilton, who will be performing with Joe Russo’s Almost Dead at this year’s Fool’s Paradise, steps up to the plate next and talks about the boundless spontaneity of the band. “We have never once spoken about an improvised section, ever,” he says.  The band can launch into full ensemble improvisation at any time, and this is perhaps the most compelling thing about that unit musically. He also compares what its like playing in a band with the drummer as the “Point Man” in Almost Dead to being the “Point Man” himself in Billy and The Kids, the ensemble with the Dead’s own Bill Kreutzmann.Hamilton also digs into the Grateful Dead culture, talking about the tempo debate and critiques that come from playing with members of the Grateful Dead, “I guarantee you for every person that thinks what I’m doing is okay, there’s 40 other people that are like, ‘he’s a piece of shit.’ It doesn’t matter. I don’t care. That’s just the way it is.” However, he reveals himself to be strikingly less tolerant of the people who were vocal with their suspicions about the intentions behind the Grateful Dead band members’ decision to have their Fare The Well event last year, saying of the Core Four, “They sacrificed more for our joy than most people that have ever listened to their music. They sacrificed their personal lives, friendships, marriages…they’ve had friends die because of this fucking job.” The entire Hamilton interview is included in Episode 20 of Inside Out WTNS.Listen to the new episode, streaming below.This will be the last “Tweener” episode until a special one featuring Jason Crosby is released on April 19th, however, the main episodes will keep coming, starting next Wednesday when Jeremy Salken and Dominic Lalli join in the Inside Out WTNS pageantry.The long-running Inside Out With Turner And Seth podcast brings you a fresh take on the music scene by combining behind-the-scenes and fan perspectives. Each episode features engaging interviews with your favorite artists and insightful commentary from genre veterans sprinkled with comedy. For more Inside Out With Turner And Seth episodes, head to their SoundCloud or their page on iTunes. You can also email the Podcast ([email protected]) to submit feedback that may be read on future episodes!Don’t miss Lettuce and Joe Russo’s Almost Dead at the upcoming Fool’s Pardise in St. Augustine, FL on March 31 & April 1. They’ll be playing alongside The Motet, The Floozies, The Main Squeeze, Organ Freeman, and Oteil Burbridge & Antwaun Stanley as artists-at-large. Find out more information here.last_img read more

13 Days Of Phishmas 2017: Baker’s Dozen Night 13, The “Glazed” Show

first_imgTomorrow (!!!), Phish will make their triumphant return to Madison Square Garden in New York City for their traditional 4-night New Year’s Run at the world’s most famous arena. To date, the band has played the storied midtown Manhattan room 52 times–usually surrounding New Year’s Eve–and among those 52 are some of the more exciting and memorable performances they’ve ever turned in. In 2016, we counted down the days until New Year’s Run with “The 12 Days Of Phishmas,” a festive collection of our favorite Phish shows at the Garden over the years. But that list was made before the Baker’s Dozen, Phish’s unprecedented run of 13 straight shows at MSG featuring nightly donut-based themes, surprise covers and bust-outs to cater the setlists to the flavor du jour and, oh yea, NO REPEATS, culminating with a “championship” banner being raised to The Garden’s rafters on a day officially designated as “Phish Day” by the Mayor of New York. The Dozen was a different kind of beast: It’s difficult to pick apart the individual nights and rank them among the band’s other 39 MSG performances because these 13 shows were so inextricably linked. Those 17 summer days in the City almost felt like one long show, and so it only felt right to extend this year’s Phishmas by an extra day and relive the Baker’s Dozen as a complete set–sampling one donut at a time, the same way it was originally tasted. By the time we’re done going back through the Baker’s Dozen spoils, we’ll all be primed and ready to add four more shows to the list, rounding out 17 in ’17–the biggest, baddest year of MSG Phish we’ve ever seen. Our Official Guide To Phish New Year’s Pre- And Post-PartiesAfter 12 long nights of instant-classic Phish, we had reached the final donut. We were now all experts in the art of the Baker’s Dozen. We had our routines, our meet-up spot, our confident setlist guesses, and all locked down, We were ready to “Glaze On” one last time. Tickets for the show were damn-near impossible to get, and hundreds upon hundreds of fans were surely left on the block. It was no mystery as to why: This was certain to be an historic evening for the Phish from Vermont. And of course, the Phish from Vermont did not disappoint. Night 13 was as perfect an end to this historic residency as you could have asked for. On a day officially proclaimed as “Phish Day” by the Mayor of New York City, Trey Anastasio, Mike Gordon, Jon Fishman, and Page McConnell finished their greatest run ever at the World’s Most Famous Arena with a fantastic, emotional performance, and embraced as their Baker’s Dozen “championship” banner rose to the Garden’s rafters, immortalized.This wraps up our 13 Days of Phishmas 2017. Over the last 13 days, we’ve relived the glory of the Baker’s Dozen one donut at a time, and now, finally, it’s time to make some new ones. It’s the most wonderful time of the year–Phish’s 2017-2018 New Year’s Eve run in New York City begins tomorrow, and we couldn’t be more excited to visit the banner and finish out 17 in ’17 at MSG.Merry Phishmas to all, and to all a good run! See you out there!NIGHT 13: Glazed8/6/17Review by Gideon Plotnicki For the encore, Phish busted out “On The Road Again” by Willie Nelson for the first time since Dick’s 2013. The song fit the thematic conclusion of the residency’s final show. The emotional reprieve saw both McConnell and Anastasio swallow full segments of the lyrics, seemingly choked up by the massive moment. The sincerity behind the song choice worked out, though, and the sentiment rang heart-warmingly true for this band after such a singular accomplishment: “The life I love is making music with my friends.”Eventually, the band dropped into a funky groove, with McConnell leaving his piano to take center stage. Page addressed the audience, telling them “all week long, people have been asking me…’Is this Lawn Boy?‘…It is.” The band then dropped into a funky, double-time version of the final verse of “Lawn Boy”–a “Lawn Boy” reprise, if you will–to the delight of the crowd. Fishman and Gordon then delivered a few bars of the intro to “Weekapaug Groove,” which had already been played in the Baker’s Dozen run, thoroughly confuseinb the crowd in the process–they’ve gotten through 26 full sets and they’re going to repeat a song during the final encore!? However, it was just one more fake-out from Phish, as Anastasio started up the dramatic intro to “Tweezer Reprise,” completing the “Tweezer” sandwich that started on night one.When the song was finished, Phish walked off stage and the lights went up. The band chose to play “New York State of Mind” by Billy Joel as the walkout music, a fitting choice as Phish now joins the Piano Man on the rafters of Madison Square Garden, forever immortalized as one of the venue’s most cherished acts.Hot Takes From Night 13: Repeat Watch: 13 shows. 26 sets. 237 songs. Zero repeats…and it’s still “Lawn Boy.” Legendary.Today’s Donut: “Glazed” [“I’ve Been Around”; “Simple”]We Tired Yet?: Goodnight.Check out a gallery of photos from the final night of the Baker’s Dozen below courtesy of Christian Stewart.SETLIST: Phish | Baker’s Dozen Night 13 | Madison Square Garden | New York, NY | 8/6/17SET 1: Dogs Stole Things, Rift, Ha Ha Ha, Camel Walk, Crazy Sometimes > Saw It Again > Sanity > Bouncing Around the Room, Most Events Aren’t Planned[1], Bug, I Been Around, IzabellaSET 2: Simple > Come Together > Starman, You Enjoy Myself, Loving CupENCORE: On the Road Again > Lawn Boy Reprise > Tweezer Reprise[1] Phish debut.The wait is over: Phish returns to MSG tomorrow for their four-night New Year’s Eve run. If you’re in town for the shows, don’t miss all the pre- and post shows going on in the city during the run. For a list of pre-show plans and late-night after-parties, check out our guide here.13 Days of Phishmas 2017:Night 1 – “Coconut” – 7/21/17Night 2 – “Strawberry” – 7/22/17Night 3 – “Red Velvet” – 7/23/17Night 4 – “Jam-Filled” – 7/25/17Night 5 – “Powdered” – 7/26/17Night 6 – “Double Chocolate” – 7/28/17Night 7 – “Cinnamon” – 7/29/17Night 8 – “Jimmies” – 7/30/17Night 9 – “Maple” – 8/1/17Night 10 – “Holes” – 8/2/17Night 11 – “Lemon” – 8/4/17Night 12 – “Boston Cream” – 8/5/17Night 13 – “Glazed” – 8/6/17 Phish finished their instant-classic Baker’s Dozen residency last night, and there’s a lot to digest. The band completed their thirteen-show run without repeating a single song, a remarkable feat that sets the bar extremely high for any other major touring bands out there looking to do something special for their fanbase. The finale at Madison Square Garden was light on donut references–the night’s theme was “Glazed”–and, after thirteen shows of no repeats, featured a somewhat predictable set list. Nonetheless, the band played another jaw-dropping show filled with the creative jams, epic bust outs, and the loose yet focused playing that’s become the norm throughout this run. Phish | Baker’s Dozen Night 13 | Madison Square Garden | New York, NY | 8/6/17 | Photos: Christian Stewart The band set the tone for the evening right out of the gates by dropping “Dogs Stole Things” into the show-opening slot. This marked only the fourth performance of the song since the band reformed in 2009. After finishing the dark and bluesy number, Phish worked their way through a somewhat sloppy version of “Rift.” The band eventually synced up and built the song to its natural climax, spiking the energy in the room and drawing huge roars from the excited audience. A weird and dark version of the rarity “Ha Ha Ha” was up next, drawing still more roars from the excited audience.Watch the show-opening “Dogs Stole Things” below via LivePhish:A funky “Camel Walk” batted clean-up, and it was a home run edition of the song, with a nice, patient, funky groove that permeated throughout the track. The band followed that up with Mike Gordon‘s “Crazy Sometimes,” which was well-played and contained a nice Led Zeppelin-esque jam. This acted as a pre-cursor to the madness of “Saw It Again,” which whipped the Garden crowd into a hysterical frenzy, especially after a howling sample from the Chilling, Thrilling Sounds of the Haunted House Halloween set during the song’s huge build. “Sanity,” another cherished rarity from the band’s early days, followed the madness of “Saw It Again.” “Sanity” also featured a quote from “The Very Long Fuse,” tying the segment of the show together with Halloween samples.After a quick version of “Bouncing Around the Room,” Phish debuted “Most Events Aren’t Planned,” a Page McConnell-led synth-rocker he crafted with his hiatus-era trio Vida Blue (which featured Oteil Burbridge and Russell Batiste Jr). Page hasn’t toured Vida Blue in many years, so fans were totally caught off guard by this bust out. The band locked in for a driving jam on the old track, easily making it the musical highlight of set one.Watch high quality footage of the “Most Events Aren’t Planned” jam below via LazyLightning55a:A heartfelt version of “Bug” followed, and you could hear the echoes throughout the arena as the crowd yelled the song’s chorus into the skies. Page then got a chance to ham it up, as the band performed their first version of the Joy rarity “I’ve Been Around” since the memorable 7/27/14 “Tweezerfest” at Merriweather Post Pavillion. Page provided a nice joke during the song’s intro, telling the crowd “I don’t know about you, but I’m feeling pretty glazed,” which got a huge response from the audience and elicited a nice laugh from Trey Anastasio, who just couldn’t hold it in any longer.It seemed like “I’ve Been Around” would close the set as at MPP, as Anastasio took his guitar off post-song. But that proved to be a fake-out, as he actually switched to a different guitar and launched into an uproarious version of “Izabella” by Jimi Hendrix. “Izabella” is a holy grail song for many Phish fans, having entered the band’s rotation in 1997 and abruptly disappeared since the second set on July 31st, 1998 at the Polaris Amphitheater in Columbus, OH. This version of the song featured some huge moments, with Anastasio machine-gunning his way to glory at multiple points, remaining laser-focused even as he kicked a balloon that had floated on to the stage. After a 574-show gap, “Izabella” finally returned, stunning the crowd just in time for set break.The band returned to the stage earlier than usual on night thirteen, signaling an improv-laden second set, a long encore, or both. Phish announced their intentions quickly, with a glorious second set-opening “Simple.” Many fans had predicted “Simple” as a thin reference to the night’s “Glazed” theme, which many considered a “simple” choice of donut. I’m not sure if this was a reference to the theme or just one of the two remaining major jam vehicles–“You Enjoy Myself” being the other–but I am sure that this was a remarkable version of “Simple.” The song’s jam kicked off with an ambient, rhythmic groove, with Anastasio using plenty of echo to help drive the spacey improvisation. The band continued to utilize a sci-fi vibe in their jams, with McConnell employing some wild synth wobbles while lighting designer Chris Kuroda matched the atmosphere with his moving and customizable light rig. After a brief moment that incorporated the rhythm of Queen‘s “Under Pressure,” the band linked up for a jangly moment of blissful playing before McConnell took over on electric piano, progressing the jam into a funky space reminiscent of “2001.” Phish continued to improvise, building up a patient major key vamp into a massive peak, followed by a huge sustain from Anastasio that drove the Garden wild.Watch the triumphant Baker’s Dozen “Simple” below via LivePhish:The band finally relented, dissolving into some ambient noodling before transitioning into Anastasio’s track “Rise/Come Together.” After making quick work of the uplifting Anastasio track, Phish started up David Bowie‘s “Starman” from their 2016 Halloween cover of The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The real meat of set two, however, came when the band finally delivered the Baker’s Dozen version of “You Enjoy Myself.” The audience went bonkers for “YEM,” and they showed their enthusiasm with the biggest and most aggressive glow stick war of the residency. You could feel the Garden shake as Phish ran through the composed section of “YEM,” with the MSG crowd letting loose for presumably the final time.When it came time for the song’s jam, the band were sublime, firing on all cylinders as Jon Fishman demolished the drums, delivering a pulsating groove and some great work on the ride cymbal, before McConnell took over with a blissful organ solo while the band worked their way towards a big peak. Anastasio took off his guitar, usually a sign that the “YEM” vocal jam is coming, but, after two bars of bass solo from Gordon, Anastasio couldn’t help it–and he picked his guitar back up to add some rhythmic effects to Gordon’s solo, which launched the band towards a tease of “Izabella,” another sci-fi-esque ambient section, and, finally, the song’s typical, bizarre vocal jam.It seemed like the band would cap things off with “You Enjoy Myself,” but a clearly excited Anastasio turned to McConnell and directed him to start up “Loving Cup” by The Rolling Stones. The song was met with a rapturous response and gave the audience one more chance to go nuts as the band rocked the beloved cover. When the dust had settled, Phish had completed a rare five-song second set to close out the final frame of the Baker’s Dozen. The band took an extra long time taking bows and receiving gifts from the crowd before walking off stage for the final encore break of the run.During the break, a folded-up drape was lowered from the ceiling, prompting fans to expect some sort of bizarre, Phishy surprise. However, after it touched the ground, MSG staffers unrolled the mystery to reveal a Baker’s Dozen-themed Phish “championship” banner, prompting roars of never-before-heard strength from the crowd. The banner hung in the middle of the room for a few minutes, while Phish returned to the stage to take some pictures in front of it before it was raised to the ceiling.As a native New Yorker who grew up going to Knicks and Rangers games and has seen countless concerts at Madison Square Garden, it was mind-blowing to see Phish’s name go up into the rafters to join New York legends like Ewing, Reed, Frazier, Messier, Leetch, and Gilbert. There were some tears in the audience (or maybe it was just me) as that banner was triumphantly raised into the sky. After Mayor DeBlasio declared Sunday “Phish Day” in NYC and Madison Square Garden showed off a new Phish plaque that will hang backstage, it’s safe to say that this day was one of the most important days in Phish history. [Cover photo via Rene Huemer/Phish From The Road] Load remaining imageslast_img read more

Ghost Light, Featuring Tom Hamilton & Holly Bowling, Makes East Coast Debut In Brooklyn [Photos/Video]

first_imgLoad remaining images On Wednesday evening, Ghost Light, the new project featuring Tom Hamilton, Holly Bowling, Steve Lyons, Raina Mullen, and Scotty Zwang, made their highly anticipated East Coast debut at Brooklyn Bowl with support from Colorado jam quartet Magic Beans. Hamilton, in particular, is no stranger to the Brooklyn, NY venue, having played there dozens of times with Joe Russo’s Almost Dead and other acts. That comfort with the room coupled with the excitement each of the players clearly feels toward this new project was readily apparent throughout the show.EXCLUSIVE: Tom Hamilton & Holly Bowling Talk New Band, Ghost Light, & The Grateful DeadGhost Light’s two-set headlining show was excitedly received by a particularly eager Wednesday crowd, as the band worked through various composed pieces (both instrumental and with vocals) as well as deep, exploratory stretches of improv. They even threw in a cover of The Grateful Dead‘s “Jack Straw” as the encore for good measure. Watch the cover below:Ghost Light – “Jack Straw” (Grateful Dead cover)[Video: Stand For Jam]While Hamilton (lead guitar) predominantly led the charge, each of the band’s talented members had their moments to shine. Both Bowling (keys) and Mullen (rhythm guitar) offered multiple “wow” moments, and the rock-solid rhythm section of Zwang (drums) and Lyons (bass) provided a sturdy foundation all evening.From here, Ghost Light begins an East Coast run that will last through next weekend before heading back out on the road again in May. They will also perform at large-scale festivals like LOCKN’, The Peach Music Festival, and more this summer. You can a list of Ghost Light’s upcoming April and May dates below. For a full list of upcoming Ghost Light tour dates, head to the band’s website. Below, you can see a gallery of photos from Ghost Light’s Brooklyn Bowl show with Magic Beans via photographer Andrew O’Brien.Setlist: Ghost Light | Brooklyn Bowl | Brooklyn NY | 4/11/18Set 1: untitled d-riff, Simple Gift of Man *, Streets of BrooklynSet2: If You Want It (title unconfirmed) > Sway > ** Lead Weight > Bullseye BluesE: Jack Straw **** Ghost Light Debut (Brothers Past)** Ghost Light Debut (Rolling Stones)*** Ghost Light Debut (Grateful Dead)Ghost Light April/May 2018 Tour Dates:April 12th – Ardmore Music Hall – Ardmore, PAApril 13th – The Acoustic – Bridgeport, CTApril 14th – Thunder Road – Boston, MAApril 17th – Gypsy Sally’s – Washington, DCApril 18th – Lincoln Theater – Raleigh, NCApril 19th – 5 Points Sanctuary – Roanoke, VAApril 20th – Asheville Music Hall – Asheville, NC^May 10th – Aggie Theatre – Fort Collins, CO^May 11th – Fox Theatre – Boulder, CO^May 12th – Globe Hall – Denver, CO^May 16th – City Winery – Chicago, IL^May 17th – Founders Brewery – Grand Rapids, MI^May 18th – Blind Pig – Ann Arbor, MI^May 19th – Grog Shop – Cleveland, OHView Tour DatesPhotos: Ghost Light with Magic Beans | Brooklyn Bowl | Brooklyn, NY | 4/11/18 | Credit: Andrew O’Brienlast_img read more

Donald Glover Talks Controversial “This Is America” Video, Singing With Stevie Wonder On Kimmel [Video]

first_imgIt’s safe to say that Emmy-winning actor/director/writer Donald Glover, also know Grammy-winning artist Childish Gambino, has been the talk of the entertainment world this week. In addition to his incredibly successful (and equally controversial) new music video, his new movie, Solo: A Star Wars Story, just premiered, and the finale of his highly-acclaimed second season of Atlanta ran on FX on Thursday evening.On last weekend’s Saturday Night Live, Glover pulled double-duty as both host and musical guest. Along with various entertaining sketches, Glover used his two on-air Childish Gambino performances to debut two new songs, “Saturday” and “This Is America”—his first new songs since his acclaimed 2016 album, Awaken, My Love! Following the SNL debuts, Gambino released a visually captivating and thematically controversial new music video for “This Is America”, which strikingly juxtaposes the joyful machismo and the harrowing violence and fear that come along with being a black man in America. Watch the video below:Childish Gambino – “This Is America” [Official Video][Video: Donald Glover]The clip instantly became a cultural phenomenon, sparking outrage among some critics for its graphic depictions of gun violence, inspiring praise from others for its high-concept brilliance. As of this article’s publication time–less than 6 days after the video’s release–it has already racked up more than 75 million views on YouTube. Countless editorials, think-pieces, and the like have flooded the Internet, with people pointing out a bevy of hidden layers and offering their takes on the clip. However, one person who has notably not offered their interpretation of the “This Is America” video is Gambino himself: In a clip obtained by TMZ, Glover is asked by paparazzi what the meaning of the video was. His answer, smiling wryly: “Uh… That’s not for me to say.”Last night, Glover joined Jimmy Kimmel Live! to promote Solo: A Star Wars Story, the newly premiered Han Solo origin story spinoff in which he plays the role of Lando Calrissian. In addition to speaking about the significance of landing that role (“[Lando] was my first action figure”), Glover spoke about the surreal experience of being plucked from the crowd unexpectedly to sing with Stevie Wonder onstage earlier this week (Glover’s a longtime superfan, and this was his first time seeing him play), and explained how he’s mostly been oblivious to the frenzy surrounding the “This Is America” video. As he noted:Some friends have sent a couple [pieces], but for real, I haven’t been on the Internet since [before hosting last week’s Saturday Night Live]. … It’s bad for me – I’m really sensitive … I see one negative thing, and I track that person down. I go to their Instagram and be like, ‘You’re not so great. That baby’s not even that cute!’You can watch clips from Donald Glover’s appearance on Jimmy Kimmel Live below:Donald Glover On the “This Is America” Music VideoDonald Glover on Landing the Role of Lando in Solo: A Star Wars StoryDonald Glover on Singing with Stevie WonderDonald Glover on The Album He Has Listened To The Mostlast_img read more

Watch On-The-Lot Coverage From Phish’s Cancelled Curveball Festival On “Show Of Life” [Video]

first_imgWhen Phish made the announcement that they were forced to cancel their Curveball festival on Thursday, August 16th, tens of thousands of people had already set up camp for the weekend at Watkins Glen International. The powers that be gave fans permission to remain on the grounds until noon the following day, allowing for a somber yet defiantly optimistic party to take place in the Watkins campgrounds that night. Those in attendance were left with lasting memories of a bizarre night of commiseration. Those who never made it there were simply left to imagine what might have been while wistfully skimming through snippets of photos and videos on social media. However, thanks to Show of Life, the live music reality news web show that’s frequented Phish lots for years, everyone can now get an on-the-ground look at the Curveball “cancellation party.”Requiem For A Curveball: Reflecting On The Phish Festival That Almost WasAfter opening the broadcast with the poignant question of the evening—”What do you do when the storm is gone, but the aftermath is the real storm?”—host Jason Wigmann and cameraman Taper420 wander the campsites looking for hot takes, thoughtful insights, silver linings and, of course, the storied Watkins Glen ditch party.The various revellers they come across seem to offer up a similar sentiment. Notes one fan, “If there’s any group of people that can have a really good time when there’s not a good time to be had, it’s Phish fans.” Adds another thoughtful consolation partier, “We are in the depths, but as you can see, we are enjoying them.” Watch the highlight reel from Show of Life‘s Curveball coverage below: Show of Life – Curveball Trailer[Video: Show of Life]You can also watch Show of Life‘s full live-streamed video coverage from the would-be Curveball grounds below:Show of Life – Curventry Edition – Full Broadcast[Video: Show of Life]Show of Life has been divining and imparting that heady “lot knowledge” throughout 3.0, taking the couch tour experience beyond the venue and into the party outside. The show recently migrated its platform and video archive from Ustream to YouTube, so make sure to subscribe to Show of Life‘s YouTube page to watch future live-from-the-lot coverage and relive other classic outings, like their Magnaball adventures and their trip to a Justin Bieber show to see how the other half lives.last_img read more